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Name: ___________________________________
Date: ___________________________________
Music History Test
Instructions:
-
ostinato
A. The distance in pitch between two tones
B. A musical phrase repeated over and over during a composition
C. A chord with two or more notes
-
organum
A. A vocal or instrumental piece that sings or plays the same music starting at different times. A round.
B. The distance in pitch between two tones.
C. A plainchant melody witht at least one added voice to enhance the harmony, developed in the Middle Ages. to
D. A plainchant melody.
E. A musical phrase repeated over and over.
-
troubador
A. The distance in pitch between two tones
B. A plainchant melody with at least one added voice to enhance the harmony, developed in the Middle ages.
C. A follower of Guido d'Arezzo
D. One of a class of 12th century and 13th century lyric poets who compsed songs often about courtly love.
E. A medieval monk who is regarded as the inventor of modern music notation, and solfege syllables.
-
chant
Name: ___________________________________
Date: ___________________________________
Music History Test
(Answer Key)
Instructions:
-
ostinato
A. The distance in pitch between two tones
B. A musical phrase repeated over and over during a composition
C. A chord with two or more notes
-
organum
A. A vocal or instrumental piece that sings or plays the same music starting at different times. A round.
B. The distance in pitch between two tones.
C. A plainchant melody witht at least one added voice to enhance the harmony, developed in the Middle Ages. to
D. A plainchant melody.
E. A musical phrase repeated over and over.
-
troubador
A. The distance in pitch between two tones
B. A plainchant melody with at least one added voice to enhance the harmony, developed in the Middle ages.
C. A follower of Guido d'Arezzo
D. One of a class of 12th century and 13th century lyric poets who compsed songs often about courtly love.
E. A medieval monk who is regarded as the inventor of modern music notation, and solfege syllables.
-
chant
A short simple melody, especially one characterized by single notes to which an indefinite nomber of syllables are intoned, used in singing psalms, canticles, etc. in church services.